hamburgs broken techno duo fallbeil drop three tracks of insane corroded techno on us. improvising and balancing between techno, noise and electro, they are defining an authentic sound in techno

emerging deep from within the depths of the brooklyn underground. upsetting keys seeks to inform, to educate and inundate. this time they are armed with emotional, unknown electronic structures that originated back in the late 90s. the audio sculptures presented on this release specifically pass somewhere in a shape between total art form and other, much more subliminal and subdued opaque constructs. reade truth, iconic producer of planet e and sonic groove fame, rewinds all the way back to his first imprint, reintroducing to the public to the elusive and oft hyped path records.

nozinja fusioniert traditionelle folklore, tsonga-disco, kwaito und südafrikanischen house zu einem innovativen, afrofuturistischen ravesound, der mit einer revolutionären tanzbewegung namens shangaan electro einhergeht. sein debütalbum -nozinja lodge-, gesegnet mit einem einzigartigen soul, atmet den geist der shangaan people, ihre sprache und musikgeschichte. es ist ein belebender ausdruck zukunftsgewandter dancemusik, mit dem sich nozinja an vorderster front der visionäre der digitalen diaspora des 21. jahrhunderts rund um unseren planeten einreiht

some facts about duncan gray... he is a multi-instrumentalist tune smith... he has a label called tici taci... he was, along with our kid, one half of the criminally under-rated machine funk duo the sons of slough who produced an album of elastic electro (milk, milk, lemonade) and invented electro-bingo (two fat ladies... aux 88). he has recorded a cover version of robert calverts (ex-hawkwind) *lord of the hornets*... he has played space guitar on a number of my remixes (we like to call his sound pink wray). he has given me 4 tracks of low-slung sleazey loveliness to release on bird scarer...
andrew weatherall : march 2015

2 man synth funk band from leeds influenced by the 80s disco & boogie sounds from nyc. this ep is one for the synth funk freaks, with electro-funk jams, modern synth funk/disco, & sweet electro-bass melodies.

the next installment from beau wanzer on his self-titled imprint, more electro-wave induced tracks for the freaks. sure to get the floors shaking and everything else along with it...

mit dem nachfolger von *how it is*, seiner 2013er-single auf dem label hypercolour, wagt der englische deep-house-produzent j. wiltshire einen ganz schönen sprung: vom verführerischen deep-house-sound zum reifen, grüblerischen electro body popping bizzness. naben dem originalmix von *false awakening*, der mit einem schönen synthesizer-pizzicato zu einem elektrogefärbten beat eröffnet, finden sich hier ein clubby tool mix sowie zwei remixe von tuff city kids alias gerd janson und phillip lauer (remixten bereits numbers, crème organisation und visionquest): einen remix und eine dub copy.

vinyl sampler 1 of a comprehensive journey in the essence of chicago house music, featuring forgotten gems, future classics, highly sort after originals and obscure edits...
this is how it started focuses heavily on the early days of the chicago sound, especially in the formative years at ron hardy s music box.
following chicago s disco demolition night in 1979 the genre s popularity fell dramatically, hence fewer disco records being released.in this era chicago s djs such as hot mix 5, hardy, knuckles & jesse saunders played a variety of styles mixing in italo, electronic pop music, electro-funk and older disco joints often playing their own edits which focusing on the portions of the songs which always rocked the dancefloor. at the end of 1982, when dj frankie knuckles left the warehouse to open the power plant, ron hardy started to dj at the warehouse s new location until owner robert williams renamed it the music box. in 1984, a local label released a 12-inch single called -on and on- by locals jesse saunders & vince lawrence who had simple made the song in order to replace a record which had been stolen from saunders collection, the -on & on- bootleg disco megamix by mach. hence chicago house music was born and a modern day phenomenon followed.

kombination research is proud to be back on the vinyl plateau with this *industrial ep*, featuring label boss cisco ferreira / the advent & partner in crime ricardo rodrigues / industrialyzer with these 3 power techno tracks. industrial & force field have already been performed at clubs & road tested at festivals, like awakenings (nl), techno flash (sp) & nature one (de) with huge crowds response. the advent is going back to the old formula with 2 techno tracks. 1 more pick time & 2nd more deep techno, and finally a 3rd electro track. 100% techno guaranteed!

notoriously known as a dj/producer of klub des loosers (record makers, air, john carpenter) and klub des 7, detect also produced solo albums, instrumental, hip hop, electro and experimental pop.

knuggles recordings is very delighted to present moire patterns second essential play ep. the title track * get it thru* puts you right in the middle of a pumping house party. this grabbing and powerful long-playing tool with afro kick grooves and haunting vocal licks will keep your bottoms up! look out! it can knock a hole in your wall. on the flip side moire patterns is featuring special edits of tracks by two original artists: jaone and bratacas. led by a tambourine, the constantly modulating pattern of “taxanetsi brothers” drives you into a more platonic dimension of classical and balkan music. disco fashion! bratacas 029 has been selected from the diverse works of bratacas. its an elegant ambient electro-acoustic piece that makes us reminisce about the uk dnb scene of the late 90ties. or is it detroit?

it was only a matter of time before the prolific electro stalwart scape one aka kurt baggaley made an appearance on cpu. scape ones penchant for sci-fi is reflected in recombination an electronic adventure through space time, stopping briefly for an atomic war. kurts vast experience and collection of analogue synthesizers can be heard to full effect with crushing bass, bubbling leads and arpeggiated sweeps throughout. strong artistic influences on the ep from john foxx, vangelis to autechre (incunabula-esque). all in all a cocktail for the perfect electro cut.

umeks infamous label 1605 returns on wax with a bang with two firing break beat / electro techno inspired cuts, a main stay in the big mans sets for the last few months.

aaaas debut album *shiva watts* sounds both vivid and complex, capturing the raw energy of the mexican producers praised live performances at mutek, boiler room and elsewhere. it is a direct result of tireless, disciplined experimentation with analogue hardware. the 16 tracks on *shiva watts*, which is available for the first time ever on vinyl through the berlin-based antime label, take their cues from a variety of musical styles, most notably acid, combining elements of hard-hitting techno, textural idm, dry-but-funky electro and trance-inducing house with lush ambient-leaning interludes. *shiva watts* is an album which celebrates stylistic and emotional ambiguity, which provides the perfect soundtrack for a world yet to come - and everything that will follow after that. the vinyl lp includes a download code.

connecticut s jon beall, recording as entro senestre, has gained critical acclaim thanks to brilliant releases on labels like w.t. records, echovolt and l.i.e.s.. on his debut for dekmantel, beall has taken his signature vintage flavors of techno and electro and pushed them into news spheres of the frightening, combining chalky, continuous drum tracks with an ear for emotionally challenging melodies. championing timeless electro-techno that breathes real soul, this four tracker does senestre proud and alters a dynamic ep that is ear-piercing and contemplative, nifty and evocative.

here is the second in a series of collaboration eps which sees ce label head sync 24 team up with other artists. the low pass gateway ep is with the finish duo morphology. written over 3 trips to london in sync 24s studio and finished in finland, the guys serve up 4 tracks of dance floor aimed electro goodness.

bipede ep is a dive into pit s universe : from aerial, chill out music such as -take off-, to dark and raw techno such as -bipede- or - sylvian fissure- . he also experimented electro-acoustic / concrete music with the latest track - acousmatique-.

4 battle tested grooves: * april boogie * is an electro jam f/craig * be thankful* peyton, * the revelation* edit is a tasteful rework of a soulful disco cut, the * phx821 edit* is a 6 min percussive disco groove-a-thon, * moving2hard* is a hi tech funk number.

rounding off the vinyl series that accompanies themas label-defining strength in numbers compilation, part 4 downsizes from 12 inch to 7 inch to present two distinctive jams that show some of the farthest reaches of the new york imprints sound. laurine frost may be best known as part of the nonconformist house and techno scene of europe through releases on perspectiv, sharingtones and nervmusic, but on this special creation for thema he makes the perfect tribute to the city that gave rise to the label, with a little help from the racy diatribe of amiri baraka on “your house”. by way of a truly special finale for the series, minneapolis maverick dj slip graces the label with an all-too rare appearance, taking an altogether more primal approach on “x7” that channels his years spent conjuring up next level techno for missile, music man and more into a taut and punchy electro excursion infected with tricked out effects and seductive sci-fi noir atmospherics. it’s the perfect example of the freaky fringes thema has comfortably reached to over the course of the last forty releases.

ednic is the italian duo of nicola di gabbia and edoardo cortopassi, and by all intents and purposes, they’re an outfit that’s on to a good thing right now. the guys make quality, analog-enriched house and techno, the likes of which comes to the fore here on puas puas, a vinyl only label that’s already featured the likes of the mole, alex piccini and carola pisaturo amongst others. first up on the exceptionally refined strands of the auberste ep sis the sounds of the original, which is a barnstorming cacophony of acid flourishes and tension-filled motifs. a track that’ll keep you on the edge of your seat for some time, it features shades of old-school electro and techno, and is the sort of track that’ll definitely rescue any ailing dancefloor. the aforementioned carola pisaturo then perks up with the first of her two remixes courtesy of her brilliant ‘church’ mix. a bumping and grinding interpretation on the original, it too keeps the suspense high, most notably thanks to a dizzying array of melodies and a series of potent basslines. her ‘botta’ remix is a more stripped back affair, albeit one that still speaks to fans of discerning fare thanks to its relentless attitude. full of shiny percussion and the odd sultry vocal smidgen, it’s further indication of a producer who looks set to enjoy an excellent 2015. this is classy stuff indeed from the puas puas label.

silas moldenhawer and jonas kenton, both children of the early 80s, grew up alongside each other in the tiny big city of copenhagen. in their teenage years they discovered electronic music and this led them to start spinning records and producing tracks together. years later they met two other talented musicians and formed well-establish danish indie-electro outfit when saints go machine, but still kept on building kenton slash demon as a separate project.

for their second vinyl release, talahachi have gathered together another group of kindred spirits. opening proceedings is marvis dee s inside outside , introducing a new project for jacking house tracks by the man also known as sub-aquatic techno and electro maestro jeremiah r. sharing side a is one half of the deep space orchestra in the guise of haku with a high-tech incantation to the sun. on the flip side, vancouver s esb gives a slightly mellower pace to hands of the city . finally, cliff lothar, egyptian eyeliner & orgue electronique form an unholy trinity as the flexible fellas with a live jam session, pervocative .

second part of the sweet sadness album. five deep analogue tracks, ranging from the industrial-ish sweet sadness, the ambient fahrenheit, the dubbytechnoid detroit summer to minimal electro with alk bacid and an inspiring dutch monologue in first confession.

another various artists special from the mighty bokhari camp... two fresh tracks from the lord lucan-esque disappearing russian, kirill tipo, whom we ve been chasing since 2012! creta kano on the flip gives us a slice of electro that sounds like it could have been made in 1988, with a bassline that ll be in your head for days. still high from the scott grooves props of his last venture with bokhari, joe europe returns with another slice of deepness for those who like some musical content in their house

nervus viii-i is a compilation of 5 tracks from 3 different artists, squeaky lobster (brussels), jerk (lille), hellboy (denhaag-brussels). nerve system records doesnt like to label the music into genres or put them in boxes, but if we really have to describe it: a mixture of eclectic style, soulful electronica, idm, melodic breakcore & dark, industrial electro.

for bt05 koova brings 5 tracks of futuristic driving electro aimed at the dancefloor. as a solo artist, koova has released on respected labels abstract forms and ac records. he is also 1/3rd of london modular alliance along with pip williams and yes effect, who have been making serious waves with their all improvised live shows. 200 copies, screenprinting artwork unique to each copy, handstamped labels.

one per person pls following her debut on the music for shut-ins compilation, antenes concocts three tracks of otherworldly techno on l.i.e.s straight from her nyc workshop. tip! *antenes operates a laboratory of self-made analog sequencers and synth modules built and manipulated in the name of rhythmic, sonic and spatial exploration. antenes signal path transforms synthesizers into sequences that burst with percussive energy, bouncing sound through sound like so many fuzzy am radio stations clipping during a late night drive. the result is a sound fundamentally unique and viscerally propulsive that shuttles dancers into a vortex of electro pulses. *

bristol s kamikaze space programme joins the trust family with a blistering ep of industrial bass music. stokes croft opens with none other than prolific ninja tune artist emika as a guest, whose haunting vocals turn choke into an ear-catching hybrid of industrial bass electro and gothic pop. three percussive bangers further elaborate chris jarmans philosophy of crafting hard-edged beats from found and self-recorded sounds rather than worn and tired presets, head-strong, futuristic, and ready to obliterate stylistic stagnation with sonic innovation

iconic deep house label large music returns to the vinyl market with a limited repress of the classic kerri chandler release return 2 acid. first pressed in 2005, this was the 100th release on large and has been out of print for 10 years. the a side features kerri s powerhouse tribute to the glorious days of acid house laced with driving beats and an incessant 808 acid line. on the flip side kerri goes old-school, this time with an electro afrika bambaataa influenced jam entitled planet sonic. also included for this special reissue is the unreleased acapella of return 2 acid solidifying this as a true collectors item

fantasma, the latest project of south african innovator and creative pioneer spoek mathambo, is a five-man collective which weaves together electronica, hip-hop, traditional zulu maskandi music, shangaan electro, south african house, psych-rock and punk to form a unique, original and fresh hybrid. the godfather of bacardi house, producer dj spoko joins with former machineri guitarist andré geld- enhuys, drummer michael buchanan and maskandi multi-instrumentist bhekisenzo cele to complete the line up. fused by spoek mathambos futurist vision, fantasma pulls inspiration from all corners of south africa: the sounds and spirits of townships and cities as well as the rural countryside. it is diverse not only in its membership but also in its forward-looking music. the 2x12 inch vinyl includes 2 bonus tracks and download code.

parages music presents their 8th release. on the a side there is a track by honesty, german dj-producer, half of slope music, signed on cabinet records and sonar kollektiv. he delivers for parages a big house track, full of warm chords, strong claps and a moving bassline. better drop this one at peak time ! the remix is done by the one and only moonstarr, broken beat pioneer and classy remixer. a man who knows everything about detroit techno, hiphop and bossa. moonstarr chop honestys track into a fast groovy tune, bassline and chords are losing control! on the b side its adjowas tune orient. the man is producing a lot recenlty, signed on freerange, dont be afraid and happy skull. this track is made live with vintage gear and is tape recorded. orient is a boogie electro bomb, super vintage synths, maximum groove bassline, and dusty reverb. a must have.the remixer on this side is basic soul unit, not necessary to introduce this one. top producer, dj and remixer. it is his 2nd appearance on parages. bsu switches adjowa’s track into a dub affair, basement feel, 808, masterclasstune.

ltd warehouse found! displacing common sense with burly daring while not engaging with lenient, populist timber-rhythmic solutions is something not only rare, but also urgent and ever loved by clubbers and close listeners alike. operating a warping double torsion onto the electro-acoustic stripe, marteaux(internet and jazz infused from early age) pushes an elegant, at once minute and far-out sort of hybrid, unflappable envelope bound to make you dance, chill or, even better, listen to over and over, detained by the studiously assembled details and inviting atmosphere.

in part 2 of the laffer ep marco bernardi is going head down, straight ahead and striving for energy. attack of the dessert stormers is an overload of dark electro power, six minutes of squirming bassline-driven movement with surges of intensity from analogue bleeps and subtle drum pattern shifts. theres no let up on the flip side where two sliders brings equal force but in a more techno style. right from the start youll be grabbed by the bassline, but this one rewards extended listening as the track develops progressively with new melodies and metallic touches taking you deeper and deeper.

the sounds of the new generation of the 80s italo disco. melodic electro, synth-pop, italo disco. all for fans of the 80s! 6 track mini lp!

beguilingly fizzy electro vibes kick off the debut effort from the latest addition to nous ever expanding plethora of talent.

the klasse recordings sub label with some fierce and fresh electro tracks by privacy. comes with one nasty remix from helena hauff. top stuff!

philippe laurent, a renowned french electro/synth wave pioneer & modern classical music composer who released a numerous amount of tapes during the 80s and a lp vinyl album on the label minimal wave records in 2011. this release joint consist in two tracks by philippe laurent from 1982 unreleased on vinyl yet and exclusively restored from the original tapes by minimal wave records studios in new york in 2014 and a cover by xeno & oaklander a cold wave and synth pop band from the same city.

hot on the heels of introducing a new chilean talent to the mos ranks with its last release, the dutch label starts another international affair for its mos deep offshoot: romanian andrew red hand. andrew, who has been called the romanian underground resistance, has a long history of djing and making detroit inspired techno and electro and across four tracks here, his analogue house with crisp drums and searing acid all burst out of the speakers and into your affections.

mutual fans sherard ingram and mariska neerman join forces to present four essential tracks spanning the breadth of contemporary electro on this second release from bleep43 recordings.

original science city electro classic reissued & spiced up w/ kassem mosse version

from freaked out electro to dirty harder techno tunes by verthex scratch vs rv

vectors 2 introduces another five new artists to the power vacuum roster: side one erupts with vacated, flinging heavyweight techno ingot *quadrat* neatly into ones medulla oblongata. a road tested club shredder, crashing straight in and out while unequivocally touching the sides. one of uk dance musics true mammoths jerome hill promptly receives the baton and lays down atypical workout *plastic jam*, an overbearingly energetic percussion / vocal rinse. on the other side, cosmic event cylob weighs in with *spyworld*. libidinal bass patterns, irresistible melodies and not a wasted note from one of electros most powerful minds. breakaway civilization of one: anklepants follows with *y.h.i.y.p.* after receiving a free bintus makeover - electro style. finally cornwallis spoken word effluvium *at the disco*, a charmingly rancid personal account to which the prancing oaf in each of us can surely relate.

daniel savio - the swede who coined the term “skwee” back in 2006 when the first odd-sounding electro-funked and tempo-twirling 7inches came about from finland and sweden. his 6-track record for laton consists of true-to-the-game skwee sounds and rhythms incl. oriental-like melodies that has been penetrating the genre for years. harmonic in melody, diverse in tempo from the originator. laton presents some of the proprietors of skwee & the phenomenon of this fennoscandian sound with three different 12inches and a lp compilation. “holtiton” was originally released in 2012, limited and is back on demand.

2015 repress !
nail provides the lead track for fofs latest vinyl only excursion - originally produced in the same time period as the classic tracks on the ode rammel reissue ep earlier in the year, glazed lay dormant on one of nails dats for many years before being rediscovered and given its first airing now on fof. chunky roughed up house beats are the order of the day here, a real peak time groove. new talent harry mccanna, resident at londons infamous undersound nights, debuts with act 1, a beautifully subtle bassline driven groove that rises above the pack with its super warm pad lending the track a warm and fuzzy hypnotic edge. romanian talent zece kicks off the flipside with the most contemporary offering, a breakbeat laden groove with a fx laden vocal snatch underpinned by that all important b-line whilst sonodab rounds things off with a beautifully deep and melodic slice of electro on brown study, the percussive elements giving rise to a hazy melodic pattern for those early hour excursions.

12 inch lp in heavyweight sleeve with cd inside. maestro is ready to stir a rather dull french indie/electro pop scene with healthy doses of industrial weirdness and obsessive dance patterns. support from the horrors and erol alkan.

the swisss are back!! electro, techno, guitars, samples...... check the swiss funk! limited to 300 copies.

privacy delivers some winding electro-techno on the void limited imprint. the berlin based producer s signature style emerges once more as pounding 808 s fuse with circuitous synth lines, taking us on a journey through the cosmos!

the adventures of gary gritness chapter 2. gary delivers a cyberfunk joyride with 9 shit hot instrumental electro funk tracks (spread over 2 eps) with a cinematical feel, blending nowadays influences from the streets of detroit, oakland and atlanta around his trademark soulful sound.

the title track -loom- builds around an electro acidic arpeggiated bassline that keeps intensity high through the roof and is topped with great drum and effect arrangements. -that s not you- goes into a deeper direction with a big bass house influence, killer breakdowns and great synth work. -bang- closes this release with style, this one is has a great bouncy groove, vocal stabs and dark twisted melodies making your mind trip all over the place.